12/22/2023 0 Comments 18 the hit list 1993![]() “We slow-danced underneath the stage when Eric Clapton was playing ‘Tears in Heaven,’” Vedder told Rolling Stone in 2006. “I just have always hated their band.” The two even goofed around at the 1992 MTV Video Music Awards. “We’ve never had a fight,” he admitted to MTV in 1993. Though the feud between Nirvana and Pearl Jam was almost entirely fueled by the media, Cobain wasn’t exactly neutral in interviews. Steve Albini made prank calls to Eddie Vedder during downtime in the studio.Īlbini pretended to be David Bowie producer Tony Visconti, telling him that he would gladly work with him if he left Pearl Jam and went solo. He also banned visits from Geffen Records staff members, whom he called “front office bullet heads.”ĥ. I wouldn’t be able to sleep.” He suggested Pachyderm Studios for its isolation in the woods, claiming that recording in a city would cause distractions. “There’s no way I would ever take that much money. I would like to be paid like a plumber: I do the job and you pay me what it’s worth,” he wrote. “I think paying a royalty to a producer or engineer is ethically indefensible. In a detailed four-page proposal to the band, Albini laid down his ground rules, the most shocking being his refusal to accept royalties. But he agreed to work on the record for a flat rate of $100,000, declining a standard deal that also would have allowed him a piece of the substantial royalties. He also had never seen them live, and largely knew of them from MTV. Rumors were circulating for months that Albini was going to record In Utero, so he sent a fax to the band (“If this is true, I don’t know about it”) and Nirvana officially asked him to take the gig.Ĥ. Albini, who fronted fringe rock groups like Big Black, was skeptical of any rock band as successful as Nirvana. “It wasn’t the sort of stuff that appealed to me,” Albini told Gillian G. Albini wasn’t a huge fan of Nirvana when he got the call. “After Nevermind, we could do whatever we wanted,” recalled Novoselic. Now that Nirvana had an enormous audience and hits on the pop charts, they had creative freedom. “When I heard the Pixies for the first time, I connected with that band so heavily I should have been in that band - or at least in a Pixies cover band,” he told Rolling Stone. Cobain recruited Steve Albini to help him realize the Pixies record he always wanted to make.Ĭobain cited Pixies’ 1988 masterpiece Surfer Rosa as a key influence while creating Nevermind, even admitting that “Smells Like Teen Spirit” was written in a deliberate attempt to rip off the Boston alternative band. But I knew the majority of people wouldn’t understand it.”įearing the title would result in the same legal trouble Judas Priest faced three years prior when two fans shot themselves, Krist Novoselic urged Cobain to rethink it. The other working title was Verse, Chorus, Verse, but Cobain finally settled on In Utero, which he took from a poem of Courtney Love’s.Ģ. The line, which first appeared in Cobain’s journals in mid-1992, became the working title for the follow-up to Nevermind. “I’m thought of as this pissy, complaining, freaked-out schizophrenic who wants to kill himself all the time. “Nothing more than a joke,” Cobain told Rolling Stone. The original title was I Hate Myself and Want to Die. ![]() Their millions of new fans may have revered Nevermind, but Cobain thought it sounded “candy-ass” and way too commercial. So he recruited esteemed engineer Steve Albini (who had recorded Pixies, the Breeders, the Jesus Lizard and other Cobain faves) and headed for the woods in rural Minnesota to create an album that had much more in common with their debut album Bleach.ġ. “It might have helped me.”Ĭobain had one goal in mind: to bring the band back to their punk-rock roots. The last time they had stepped foot in a studio, they were a little known Seattle band that had just left Sub Pop for David Geffen’s DGC. Now, with a multiplatinum album that knocked Michael Jackson off the charts and turned them into one of the biggest rock bands on the planet, they were under immense pressure to follow it up. “If there was a Rock Star 101 course, I would have liked to take it,” Kurt Cobain told Rolling Stone’s David Fricke in 1993. In February 1993, Nirvana made their way to the secluded Pachyderm Studios in Cannon Falls, Minnesota, to begin work on their third album.
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